Thursday, 28 November 2013

Planning


Possible cast -
  • Tonicha-Rose Bryars 











  • Maya Tether












  • Amy Cowling












  • Georgia Cowling









  • Kara Williams












  • Beth Burns













Possible Locations - 
  • Garthorpe Chapel




















  • Swinefleet Yard






Possible Props -
  • Jumpsuits
  • Black boots
  • Shovels
  • Fake blood
  • Car
Possible Costumes -
  • Jumpsuits
  • Boots
  • Messy hair
  • No/Scruffy makeup
  • no jewellery
  • old clothes to go under jumpsuits
Climax Shot Makeup - 
  • red/brown lipstick
  • eyeshadows (bruise colours
  • cotton wool
  • fake nails
  • fake blood
Equiptment - 
  • light boxes
  • tripod
  • extension lead (if needed)
  • makeup equiptment

Storyboard - Quick cut detail



StoryBoard


 
 
 

Time Plan

 
26/09/13 - Location/Cast/Props.
 
03/10/13 - First few scenes completed.
 
17/10/13 - Most of practical work will be finished.
 
21/10/13 - Music decided.
 
04/11/13 - Practical work finished.
 
14/11/13 - Shots will be edited and will be placed with music
 
18/11/13 - Both the poster and the magazine will be completed.

Codes and Conventions - Film Magazine


Screen Shots / Pictures – In all cases a review page will feature a still screen shot or image taken from the film – either directly from an in-film shot, or from the front cover. Alternatively, many review pages will have some sort of cropped image defining the genre of the film, such as a lone woman victim. The purpose of using an image is varied; to identify a famous actor as a protagonist, to give an overviewing tone of the film or even just provide a teaser, essentially the purpose is to entice the audience into finding the film interesting.

Titles – Many review pages identify the title of the film as a main selling point, or as a point of generating interest. A well-followed franchise of films will make the title of the film the focus point as the reviewer wants to draw attention to the title to attract an already curious audience. Typically the title is not in bright colours or diverse fonts, the reviewer wants the page to be simple and easier to read from not just a long distance – also there is a sense of professionalism, there is no need for flashy colours to entice the audience.

Rating – The most important detail of the review page, apart from the in-depth analysis, is the rating system. In most reviews the rating system will be ranked as number out of 10, or 5, as this is the simplest convention and is easy for the audience to understand. Several others complicate the rating system to provide a greater detail for the review, such as percentages out of 100. The importance of the rating is underlined in the trust and respect the audience has for the reviewer, while a high review will attract an audience just as easily as an extremely low one.

Captions – Although not the most common convention, several magazines utilise a caption to describe the context of an image within the film, or sometimes including a pun playing upon the picture. The purpose of this can merely be interaction with the audience, but sometimes it can provide depth and context which will encourage the audience to read the review.

Short Plot Details – Within all reviews, the plot of the film is summarised without any ‘spoilers’ to give a brief overview of the film, so as to entice the audience into watching it or to provide a backlog for the audience to relate to the review later. Most of the time the plot is written as briefly as possible, giving the opening developments of the film or what has already been revealed on trailers and interviews.

Directors & Actors – In many high-budget films, a major selling point is the inclusion of famous ‘Hollywood Actors’ and Directors, who have in the past featured in popular films. Review pages will often pick up on this, depicting an image of the actors as a screen shot or including them in a headline next to the title of the film. Sometimes an image of both the actor and director will be included in the shot, which increases the interest of the audience massively.

Quotes – Sometimes review pages will feature quotes, either from the film itself or from interviews from the reviewer or generally to public outlets. Quotes can work in both ways; a quote from the film will engage the audience in an active interaction with the film before even watching it, giving them an incentive to watch it themselves. As well as this, a quote from an interview gives the audience depth and context to the reality of the actors or director, which the audience can relate to – often this leads to the audience taking a more active interest in the film and watching it.

Review – The main body of the review page is often the review itself, which consists of several ‘strands’ which create it. The in-depth analysis is just one, albeit large aspect of the review, which the majority of the time takes up a large portion of the page or a whole page in a double page spread. Often the analysis will piece together the positive and negative aspects of the film while attempting to add human feeling to it with emotions. The other aspects of the review include the rating, the main image, the captions, the colours of the page (tone – black and white often connotes a dull sense, while colours spark up an interest).

Title/ Logo of magazine – Lastly, the title of the magazine review is often depicted in high-profile magazines or exclusives. Essentially the title is the banner to attract the audience, as the reader relates the title to that of a film reviewer  – it’s a very simple technique but often examples such as ‘TotalFilm’, ‘Empire’ or ‘NewFilm’ are renowned for their reviews and many will simply choose these names before any others. The logo’s colours are mostly different and unique from others, so the audience can differentiate between them, while a few logos are bright coloured or professional to attract their target audience.


Codes and Conventions - Film Poster


Dark and dull Colour Scheme – Many film posters use a darkened colour scheme to reflect the themes of the film, for example shadows and darkness are linked with fear and terror. While a lack of colour could represent a lifeless feel to the poster, signifying death or decay, again both typical horror themes.

Red / Black Colour Scheme – While several posters use a dark colour scheme to connote fear, others use typical colours to signify the sub-genre of their horror film. An example could be an excessive use of red to signify blood and a ‘slasher’ horror.

Distorted text – Usually on film posters the title text or text in general has themes of horror, such as an eroded text to show decay. Another example could be distortion to represent the aspect of confusion or paranormal themes.

Main Image – A common aspect of film posters is the focus of the main image, this can be used for two main reasons. One of which is the eye-catching nature of the image, a large image which fills most of the poster will attract the attention of the reader – especially if the image is abnormal or unnatural.

Main Image 2 – Another feature of the main image is to reflect the focus and themes of the film, obviously the image connotes the themes of horror but often it signifies the sub-genre of the film to attract a specific audience. Typical aspects of films like a classic zombie apocalypse will include a rising hand from the earth, the rise of the dead.

An Eye-catching Title – Most posters position their titles at the bottom of the page, usually just with a few words on a single line for simplicity and easy reading. This is not always the case, but most do this to catch the readers’ attention and create a memorable title.

Taglines – While the image and the title usually attract the audiences’ attention, the taglines are used to sell it and provide context which hopefully will interest the reader into watching the film. Mostly a short simple sentence or question is used in a creepy style to entice the reader into watching.

Release Date – This piece of information is usually placed at the bottom of the page if the release date isn’t something particularly seasonal, like Halloween or Summer – which are common themes of horror films. If the release date is based at an interesting time, it will be a main focal point of the poster, with a line such as “Coming this Halloween” etc.

Institutional Information –Typically high-budget films will include a section of information providing the reader with news of those who have worked on the film, or previous works. Aspects such as the director, actors or producers could be another main selling point of a film, if their previous films are particularly impressive or have a dedicated fan base. However, mostly Horror films do not use





Sunday, 17 November 2013

Poster Credits



Poster credits are the legal lines that appear in movie posters, giving credit to the cast and crew that made the film, as well as the producers, distributor and financier behind it. Poster credits are widely known also as 'billing blocks' or 'credit blocks'.

How many lines do they have?

- Poster credits have an average of four lines, usually laying at the bottom of the poster, underneath the title. For layout purposes, you can see poster credits with 6-8 lines justified left or right. Sometimes they also circulate around the edge of the poster. Poster credits play an integral part of the design.

What logos should there be?

- By convention, the logo of the distributor appears in the bottom right, the logos of the production companies begin in the bottom left.


Camera angles in a Horror Trailer


Slanted angle: This is where the camera tilts around the subject. It is often used in horror films to create tension and disorientation, it is mostly used in dramatic scenes to draw the user in and creates distortion to the scene.




Establishing shot: This is when the setting fills up the frame, it is mostly used in the beginning of a scene to emphasize the setting, for example if there is a haunted house in the film, an establishing shot would show the house at the beginning to build tension and draw the audience into the set.


 Dark Shadows


Close up/ Extreme Close up: This is when the camera closes up on the subject, it is used in horror films to make the audience feel uncomfortable as to get close to someones face is unnerving.


 


Point of view: This is when the camera is from someones point of view, the camera can see exactly what they see. this is mostly used in horror films to place the audience in the characters shoes, giving the shot a more realistic feel.